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Freeman's Modern & Contemporary Works of Art May 2010

Freeman's Modern & Contemporary Works of Art May 2010

- $14.99 39m
1976 Sotheby's Auction Chinese Ceramics Jade Shang Bronze Ch'ien T'ang Han Wei

1976 Sotheby's Auction Chinese Ceramics Jade Shang Bronze Ch'ien T'ang Han Wei

7 $28.00 39m
Bonhams Old Master Modern Contemporary Prints July 2010

Bonhams Old Master Modern Contemporary Prints July 2010

- $14.99 39m
ALDE Bibliotheque Raymond Honnorat 3 Novembre 2010

ALDE Bibliotheque Raymond Honnorat 3 Novembre 2010

- $9.99 44m
ALDE Bibliotheque Jacques Bellon 3 Novembre 2010

ALDE Bibliotheque Jacques Bellon 3 Novembre 2010

- $9.99 44m
Freeman's Modern Contempor Neuberger Berman Lehman 2010

Freeman's Modern Contempor Neuberger Berman Lehman 2010

- $14.99 44m
1980 Sotheby's Auction Chinese Ceramics Yue Wares WEAPONS Cizhou Jun Bronzes Han

1980 Sotheby's Auction Chinese Ceramics Yue Wares WEAPONS Cizhou Jun Bronzes Han

1 $19.95 44m
Sotheby's Fine Chinese Paintings China Qi Baishi Daqian Art Wang Meng Catalog

Sotheby's Fine Chinese Paintings China Qi Baishi Daqian Art Wang Meng Catalog

3 $21.95 44m
Rupert Wace Ancient Art 2008 Gods Mortals Our Own Image

Rupert Wace Ancient Art 2008 Gods Mortals Our Own Image

- $26.99 44m
Christie's Van Cleef & Arpels Centennial Tribute Part I

Christie's Van Cleef & Arpels Centennial Tribute Part I

- $124.99 44m
Sotheby's Dessins Anciens Monaco Auction Catalog 89

Sotheby's Dessins Anciens Monaco Auction Catalog 89

- $9.99 45m
Christie's British Pictures (1500-1850) London 2000

Christie's British Pictures (1500-1850) London 2000

- $14.99 45m
Hauswedell & Nolte Ruckschau und Ausblick Review 2008 1

Hauswedell & Nolte Ruckschau und Ausblick Review 2008 1

- $10.00 47m
Roger de Montebello Etudes Tauromachiques 2001-2003

Roger de Montebello Etudes Tauromachiques 2001-2003

- $16.99 47m

News

  • Paperback History
    Inexpensive books bound in paper have existed since at least the 19th century and exist in a number of formats that have specific names, such as pamphlets, cheap editions, yellowbacks, dime novels and railway novels. Today most paperbacks are called either "mass-market paperback" or "trade paperback", the differences of which are described later.

     

    The 20th century mass-market paperback format was pioneered by German publisher Albatross Books in 1931 but the experiment was cut short. In England Penguin Books adopted many of Albatrosss innovations, for instance the conspicuous logo and the color coded covers for different genres, beginning in 1935,and was an immediate financial success. British publisher Allen Lane launched the Penguin imprint in 1935, with 10 reprint titles; this started the paperback revolution in the English-language book market. Number one on the Penguin list of 1935 editions was André Mauroiss Ariel.

     

    Allen Lane intended to produce cheap books. He bought paperback rights from publishers, ordered huge print runs (e.g., 20,000 copies) to keep unit prices low, and looked to non-traditional book selling retail locations. Booksellers were initially reluctant to buy his books. But Woolworths, placed a large order on the books, and the books sold extremely well. After this initial success, booksellers were no longer reluctant to stock paperbacks. The word Penguin became closely associated with the word paperback.

     

    Robert de Graaf, in 1939, issued a similar line in the USA, partnering with Simon & Schuster to found the Pocket Books imprint. The term pocket book became synonymous with paperback in English-speaking North America. In Québec, the term "ivre de poche was used, and continues to be used today. De Graaf, like Lane, negotiated paperback rights from other publishers, and produced large print runs. His practices contrasted with those of Lane in his adoption of illustrated covers, aimed at the North American market. In order to reach an even larger market than Lane had, he went the mass market route, through distribution networks of newspapers and magazines, which had a lengthy history of being aimed (in format and distribution) at mass audiences. This was the beginning of mass market paperbacks.

     

    Because of its position as Number One in what became a very long list of Pocket editions, James Hiltons Lost Horizon is often cited as the first American paperback book, which is not correct. The first mass-market, pocket-sized, paperback book printed in America was an edition of Pearl Bucks The Good Earth, produced by Pocket Books as a proof-of-concept in late 1938, sold in New York City, and now very collectible.